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Who Should Self Publish

Published on March 11, 2006 by in Writing

Self-publishing should be the author’s idea. The author should be aware that they are bypassing the traditional publishing route and striking out on their own. The author needs to shop around for the best publisher/printer for their work and be prepared to work very hard to promote their own book. The author should also be aware that self published books rarely hit the bestsellers list and frequently fail to make back the initial investment. Self-publishing should not be entered into lightly. For more information on this, see Foster Dickson’s article, The Tricky Art of Self Publishing.

Self-publishing and subsidized book publishing, also called vanity press, have a poor reputation. There are many negative stories about it, especially from published authors in the mainstream press. Some of their criticisms are legitimate. Many self-published works are works that have failed to attract the attention of a publisher, not because of content but because of quality. Many self-published works simply aren’t very good and frequently are poorly editied.

There are publishers out there who prey on writers. These publishers convince authors that their work has been selected for publication, but for whatever reason will require the author to help pay the costs. Usually, the author’s share of the expenses equals all of the cost or more. The publisher makes very little effort to promote or sell the book because they have already made their money. Sometimes, these publishers even make the authors pay them to promote the book — and at best make a token effort to publicize it by putting out a press release or two.

The scam publisher leaves the real work to the author who has invested their money. If there are no sales, the publisher makes its money from the author. If the author hustles and manages to get their book to sell, the publisher makes even more money from its split of the profits. Either way, the author is taking all the risks and splitting any reward. Many times the author does not even receive fair payment for what profits a book does make. These scams, however, are not true self publishing.

Self-publishing should be an informed decision made by a writer who has carefully weighed their options. Anyone who decides to self-publish needs to be aware of exactly what they are doing. The self-publisher is taking responsibility for all aspects of a book’s publication, promotion and sales. They are either taking care of the details themselves or they are paying someone to do it for them. I strongly support self-publishing when it is done for one or more of the following reasons:

  • The subject of the book is one that is important to the author but has limited commercial prospects. Examples of this are books of poetry, experimental fiction, autobiographies, family histories, essay collections, academic writing and books that focus on solving a specific problem.
  • The author feels they are prepared to market the book themselves and believes they can make a profit. If you plan to market your own book, take the time to learn about marketing and to develop a marketing plan. You may also want to invest in a marketing firm or publicist.
  • The author has already established a market. This is often the case with people who write business or self-help type books and use them in coordination with seminars.
  • The author wants to use the book as a tool for publicizing their skills. This is frequently used by authors who want to build their reputation in a chosen field by getting their name out.

Major publishers have little interest in books that aren’t going to make them a substantial profit. If a book makes a major publisher less than $100,000 in net profit, it is generally seen as a failure. For some publishers, the standard is much higher. Smaller publishers are often satisfied with less profit, but publish only a few books a year. It can be hard to find a suitable publisher. The costs of self-publishing are much less than they once were, but publishing a book is still a substantial investment of both money and time. Consider such a move carefully.

 
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6 Comments  comments 
  • John Hewitt

    I’m glad I could let you in on the secret Emelda. Good luck with your writing!

  • Emelda

    This article was quite informative as I had not a clue that an author can self publish

  • http://www.love-sources.com eda

    I am a big fan of your site. However, I am still having trouble finding an answer to my specific question. Should I self publish my poetry on my website. Most of my poetry falls within my website category but I am hesitant for many obvious reasons (i.e. copyright infringment, etc.). Of course all I ever wanted from my poetry was for it to be read but I still struggle with just “putting it out there.” Do you have any suggestions?
    .-= eda´s last blog ..Should I stay or let him go =-.

  • J.C. Hewitt

    Yes I do. Put it out there. If you don’t like the idea of using a traditional web page, put it out as an e-book using adobe acrobat or one of the many free PDF converters.

  • Pingback: The Writer’s Craft Podcast » Blog Archive » Will Vanity Get The Better Of Your Book?

  • E.A. Bucchianeri

    My advice to authors, do your homework when choosing a POD company.

    To my utter misfortune, I became acquainted and started to use the services offered by 1stBooks publishers now known as Authorhouse, (owned by Author Solutions) and published my first two books in 2003. At the time, I detected no problem with their services and accepted that being my work was academic, would not sell many copies. I decided to publish my third book with them, a large 2 volume edition in 2008, and due to the reviews and publicity received, and the professors that contacted me personally, I became fully aware of the university libraries and public libraries who processed my work into their establishments, or were interested in my work.

    However, I noticed the first major discrepancy in their promises was that if I turned my manuscript in within a certain time frame, I would receive fourteen free copies of my work when it was printed.
    I e-mailed my text, and mailed my contract via snail-mail two weeks before the deadline, I know the contract arrived on time—I live in Europe, and mail does not take longer than 4 to 8 days to arrive in the US, however, there is no way to prove this, and they could not honour the free copy agreement as they allegedly hadn’t received the contracts on time. They never mentioned the agreement included receiving the contracts, just the manuscript. I received just my usual free review copy of each volume. I decided to let the matter go.

    Then, they have a very careless attitude with other aspects of their services. For example, their Press Wire program that sends your Press Release electronically to 14,000 media outlets. Where did I find my academic books being promoted? In the financial sections of several media outlets, and not to my target audience found in the academic, history, biography, or even literature, areas.
    (I also discovered my university level academic book on classical music categorised as a “children’s book”.)

    However, the major problems developed with royalty accounting. I began keeping a record of the copies available of my new two-volume work at Amazon US, UK, Canada, and their Marketplace vendors. (This is practically the only way you can discern how many books may be selling in the public domain.) Considering this is Print On Demand, when a number of available copies drops, you can expect it to be a sale since stores have no reason to keep raising and dropping the numbers unless they make a sale and then re-list the book. (For the record, I withdrew all my publications from Authorhouse June 14th 2010.)

    Authorhouse’s numbers were way below the daily tallies I kept from the Amazon numbers, they only reported between 10% and maybe up to 20% of the sales on any given quarter. September 7th for example, I received the worst report yet: they reported only 1 copy of Volume One sold in the second quarter (April 1 to June 14th, the time I withdrew my publications from them), and only 3 copies for Volume 2. According to my numbers from the Amazon rankings and marketplace sellers in the US, Canada and UK: 28 copies of Volume 1 sold, and 27 of Volume 2. Therefore they have reported only 4% of the sales, and they obviously are pocketing the rest. And this does not include other sales that may have been made through other sellers like Barnes and Noble, etc.

    However, there is no way to be compensated for these discrepancies, Authorhouse demands you provide receipts of all sales as proof of your claim—how on earth do you track such receipts? Authorhouse knows it’s an impossibility. Of course, Nielsen Book Scan offers sales report services, but you cannot use them to reclaim royalties, or display or disclose your sales report to any third party as Nielsen deems such action a breach of trademark confidentiality and would possibly incur a lawsuit.

    The simplest answer would be to cancel all contracts with Authourhouse as they assure the authors retain full rights to their work, but this is not as easy as they make it out to be. To date, they continue to reassure me my books are no longer in print, but as I have discovered September 7, they are still listed with UK wholesale distributors as available within 5 days as Print on Demand, so they are technically still available by Authorhouse illegally.

    1st Books / Authorhouse in my estimation is the most disreputable company allowed to carry on a business offering a sham service to the public, robbing authors of the fruits of their labours. Surely they are required to have a business license to operate as all other businesses? How can any state issue a license and continue to allow such a rogue business like this to continue? They are operating on such a large scale, and if they are doing this to every author, then one must consider the possibility they are committing grand larceny on a massive scale. They claim to have thousands of authors with their company.

    Authors Beware: if you are considering publishing your book using Print On Demand, stay well away from this company. Even if they paid all the royalties, they do little or nothing to help promote your work, but expect you to pay additional hundreds and even thousands for various promotion packages that provide little if no results. For those of you poor authors who now hold a contract with Authorhouse publishing your work, my sympathies go out to all of you.

    I also advise people to do their homework before deciding to publish with Author Solution’s other companies: DellArte, iUniverse, Trafford Publishing, West Bow, and Xlibris. (One bad apple spoils the bunch in my opinion. Visit “Preditors and Editors” at http://pred-ed.com/peba.htm for recommendations.)